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You seen my artwork but you ain’t seen me draw the nineĬome through the hood, you’ll get shot homey just cause I say so When you disrespect me is where I draw the line With the rims in that Coupe stay shiny nigga (stay shiny nigga) In the hood they say 50 ‘You a grimy nigga’ My neck, my wrist, my ears, my fists are all blinged up “Look I done changed up bitch, I done came up
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Songs like “Call Me” show 50 extending that attitude to all facets of his game – who wouldn’t want to fuck with the man who’s THE MAN? It may have changed his vocal tone and flow a little bit from the “How to Rob” days but it also gave him a cocky attitude about his invulnerability – he knew he was destined to do greater things with his life. Even being shot up, 50 Cent could not be shot down. You might have that innate confidence but ultimately the hood brings it out of you as a survival mechanism. Perhaps this kind of confidence is bred from advertisity growing up in poverty within a negative environment either builds you up or breaks you down. Confidence can in some cases be taught but it can’t take the place of the inherent knowledge some people are BORN WITH knowing that they are the shit. How could 50 Cent be so damn sure? It would be well over another year before “Get Rich or Die Tryin’ would hit store shelves, and even then there was no guarantee his album would go gold let alone platinum multiple times over. Way down in Magnolia they feelin me wodieīut you can catch me in Houston, with Bun and Pimp C I’m internationally known, man e’rybody know me I keep a Benz, I keep some rims, and I stay with some jewels I stay wit them hoes, cause I use them tools I got some Coup’s, I got some Jeeps, I got some mo’ shit “Look I don’t really need you, I get my dough, bitch
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For 50 that confidence was formed years ago when he was hustling mixtapes on the street, the kind of swagger evidenced in both the title of “50 Cent Is the Future” and the lyrics of the opening track “U Should Be Here”: 50 Cent and Pretty Boy Floyd both came up the hard way and had to fight for everything that they’ve got, and now that they’re on top they’ll fight like hell to keep anybody else from taking away their time in the spotlight. have more in common than just their friendship they have an uncomprimising belief in themselves and their ability to dominate the competition.
#Lloyd banks go hard or go home instrumental free#
If watching the free specials on HBO hyping up the fight showed me anything it’s that Curtis Jackson and Floyd Mayweather Jr. The only unpredictable things about this fight were how much of the G-Unit would accompany Mayweather to the ring and whether or not they’d start any trouble with De La Hoya’s camp once they got there. Quite honestly that’s more or less what I expected. defeated ‘Golden Boy’ Oscar De La Hoya in a twelve round fight via split decision. "Yeah they shooting but they missing, spraying up the wall like graffiti artist / Some n***s by the bootleg but go and cop the real shit, cause the fans love us I'm nicer than grandmothers.By now you’ve either watched the PPV, read the results, or seen it on SportsCenter. "And your n****s on your CD's garbage," he spits, over Alc's moody production.
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Over an instantly hard-hitting instrumental, fueled by synth stabs and an ascending bassline, Banks flexes some premium punchlines befitting of his reputation. Despite having produced no shortage of drops prior, on this day in 2004 Alc came through with his debut solo album 1st Infantry, a project that featured appearances from Prodigy, Havoc, The Lox, Devin The Dude, Nas, and Lloyd Banks at the height of the G-Unit movement.Īnd while there are plenty of high points found throughout, "Bangers" stands out as one of the album's best selections - not to mention one of Lloyd Banks' most slept-on tracks of his career. Given how Alchemist has been killing the game of late, lacing hard-hitting projects for Conway The Machine and Freddie Gibbs, it's easy to forget that he's been putting in work for decades. 2 MAKE IT STOP Sixteen years ago, The Alchemist blessed the game with his first solo album "1st Infantry," which featured a hard-hitting classic from Lloyd Banks.